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Feeling successful enough to once again work on his own (and getting annoyed that Spielberg was always getting the last word in creativity on their projects), he cut ties with Spielberg and resumed fully-independent production on his next film.
Back at Disney, the old guard sat up and took notice that Bluth's was beating them at their own game.
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The financial success of of all things), convincing the studio's new ultra-competitive head Jeffery Katzenberg to whip the animation unit of Disney back into shape to take down the competition.
Spielberg, meanwhile, continued to produce animation: he was a major driving force between the groundbreaking live-action/animation hybrid feature , which blew Bluth's tiny little indie flick out of the water.
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Unfortunately by that point, the studio was going through major financial and creative turmoil in the wake of their founder's death, and he was put to work on some of their more economical films like .After became the lowest grossing animated feature of all time, John Pomoroy left his partnership with Bluth and Goldman to return to Disney.Things looked up for Bluth in 1995 when 20th Century Fox offered him the director's chair for the first film of their new animation arm.He's released two books, has been floating around in Development Hell since the mid 2000s, with Bluth and his partner Goldman trying and failing to secure funding due to Hollywood's lack of faith in hand-drawn animation.A successful Indiegogo campaign secured them the budget for a pitch reel, which was completed in 2017.